La Voie de l’Art
Il me semble que,
pareillement aux chemins d’action, dévouement, et cetera,
il y a un sentier applé l’Art
et que les savants de l’Est reconnaîtraient
Faulkner, Edward Hopper, Beethoven, William Carlos Williams
et les addresser comme égaux.
Ça s’agit de l’intention et la discipline, n’est-ce pas?
— combinées avec une somme de capacité Dieu-donnée.
C’est quoi tu veux bien subir, veux bien donner, n’est-ce pas?
C’est la volonté être une fenetre
par laquelle des autres peuvent voir
jusqu’a l’infinité
et toute la voie du retour aux eux-mêmes.
The Way of Art
It seems to me that,
paralleling the paths of action, devotion, etc.,
there is a path called art
and that the sages of the East would recognize
Faulkner, Edward Hopper, Beethoven, William Carlos Williams
and address them as equals.
It’s a matter of intention and discipline, isn’t it? —
combined with a certain amount of God-given ability.
It’s what you’re willing to go through, willing to give, isn’t it?
It’s the willingness to be a window
through which others can see
all the way out to infinity
and all the way back to themselves.
Albert Huffstickler – Café du Jour, Austin, Texas, Dec. 30, 1989
The Way of Art – La Voie de l’Art par Albert Huffstickler ( 1927 – 2002 ) Traduction en français par / Translation into french by Sylvia Ann Manning
Sylvia Ann Manning met Albert Huffstickler in 1967 and remained his close friend throughout his life. One of the Hyde Park (Austin) poets whom he mentored, she sees her work appear often in poetry zines such as Waterways: Poetry in the Mainstream (NYC). Sylvia has had three plays in the New York International Fringe Theatre Festival — two in 2008 —using also the name SilviCol as playwright. Her most recently completed play is Place Terreaux: Flora Tristan in Lyon, 1844. ” She also writes about learning French in Quebec City at Quebec Journal
Sylvia prepared Huffstickler papers for the Southwestern Writers’ Collection (Texas State University) and a nearly exhaustive collection of the small press publications of his poetry for the Texas History Center (University of Texas Austin). She herself has a veritable library of his papers, paintings and journals in her own home in Seguin, Texas.
Albert Huffstickler
Reads. Recorded in Austin, TX 1987-9 and Bisbee, AZ 1991, a VOX AUDIO recoding on CD edited by Bruce Holsapple.
Albert Huffstickler (December 17, 1927 – February 25, 2002) was an American poet. Albert Huffstickler was born in Laredo, Texas, surviving a twin who died at birth. As the son of a teacher and soldier, he and his two siblings (a brother and a sister) moved often growing up. After graduating from high school, he worked in Charlotte prior to attending the University of North Carolina where he discovered poetry. Marriage and children followed as well as various jobs in Florida and Arizona, where he briefly studied Scientology. Drafted in 1954, he spent two years in the army. After completing armed service he returned to Texas where he attended Southwest Texas State University, majoring in English and developing an interest in Jungian psychology. During the 1960’s Huffstickler continued writing poetry as well as pulp fiction, publishing under a pseudonym.
In 1973 he began working at the Perry-Castañeda Library at the University of Texas at Austin, where he remained until retirement at the age of 62. While in Austin he began the Hyde Park Poets Series, where he was known as the “Bard of Hyde Park” and taught poetry seminars, inspiring other well-known Austin poets including W. Joe Hoppe. He won the first of two Austin Book Awards in 1989 for Walking Wounded, published by Backyard Press. In 1989 the Texas state legislature honored his poetry. The second Austin Book Award was for Working on My Death Chant, published in 1991. A 1990 Sow’s Ear Poetry Review article reporting on an interview by Felicia Mitchell described Huffstickler’s natural poetic voice as an attempt “to meld the human voice with the poetic spirit to present a highly charged, story-filled verse.”
Huffstickler published hundreds of poems in his lifetime in both chapbooks and academic and underground journals. A longtime relationship with Waterways: Poetry in the Mainstream led to numerous publications in that journal. He published many of his own poems under his Press of Circumstance imprint. Huffstickler’s over thirty collections include Working On My Death Chant, The Cosmology of Madness and Dishwashers and Other Forgotten Angels. The Wander Years was published in 1998 by SRLR Press. Why I Write In Coffee Houses and Diners, a collection of selected poems, was published in 2000 by IUniverse. Poems were also antholgized in Grow Old Along with Me: The Best is Yet to Be (edited by Sandra Martz for Papier Mache Press, 1996) and I Feel a Little Jumpy Around You: A Book of Her Poems & His Poems Collected in Pairs (edited by Naomi Shihab Nye & Paul B. Janeczko for Simon & Schuster, 1998). Late in life, Huffstickler took up painting, sometimes selling his artwork or showing it in local venues. He also did volunteer work in hospitals, including the state hospital, and other care facilities. A film documentary on Huffstickler, Holy Secrets, by Matthew Listiak, highlights his personality and poetry. A longtime resident of Hyde Park neighborhood in Austin, Texas, Huffstickler died on 25 February 2002, of an aneurysm.
More on Albert Huffstickler can be found here… and the complete VOX AUDIO catalogue is available by clicking here…
listen to Albert Huffstickler | On the Road
Buy Albert Huffstickler – Vox Audio – 1991 here.
