Every
significant poet is surrounded by a cluster of unyieldingly savage images which define both him and the age. Gary Goude is a compelling example. When I wrote the introduction to his first chapbook, A CRUSHED ROTTING DOG published by Fine Human Wreckage Press back in 1995, I was drawn to both the honesty and the violence of his work. The cover of DOG reveals a snapshot of Goude drinking from what looks like a bottle of vodka or possibly gin. He’s sitting on a white bench in front of a house window which sports the sign, Beware of Dog. Continue reading todd moore | gary goude and that crushed rotting dawg→
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