FEATURED IN THIS ISSUE:
Mario Benedetti, Wayne Crawford, Sy Hoahwah, Lawson Inada, Mini-Anthology of Latvian poetry, Inara Cedrins, editor/translator
Dodici Azpadu, Amalio Madueno, Juan Antonio Masoliver, Merimee Moffitt, Rick Smith
ALSO IN THIS ISSUE:
Kale Baldock, Joseph Bottone, Gary L. Brower, Dee Cohen, Michael C. Ford, James M. Gay, Jr. Jenny Goldberg, Kenneth P. Gurney, Kat Heatherington, Patrick Houlihan, Donald Levering, Don Mclver, Elizabeth O’Brien, Simon J. Ortiz, Richard Oyama, Lynne Pomeranz, Louise Popkin, Margaret Randall, Kell Robertson, Ray Souza, Bryan Thompson, Anne Valley-Fox, Stewart S. Warren, Lew Watts, Mark Weber
The Malpaís Review seeks to expand upon New Mexico’s rich and diverse cultural heritage by bringing together poetry, poetry translation, essays on aspects of poetry from writers around the state, the USA and beyond.
The issues will be published quarterly. Each issue will take 10 to 20 pages for one featured writer with the remaining pages open to everyone else. Some interior pages may be used for black and white artwork.
Gary L. Brower, Editor
Subscriptions: $40 for one year (4 issues) postage paid. Single issues: $12 + $3.50 shipping. Make check payable to Gary Brower, Malpaís Review, POB 339, Placitas, NM 87043. The Malpaís Review is a 6×9 hardcopy publication between 120 and 150 pages each issue.
Spring issue: Oct, Nov, Dec
Summer issue: Jan, Feb, Mar
Autumn issue: Apr, May, Jun
Winter issue: Jul, Aug, Sep
Malpaís Review seeks original poems, previously unpublished in North America, written in English. Any topic, but we despise hate inciting and pornographic work. Submit 1 to 5 poems, no limit on length, but once you hit 10 pages call the submission done (unless the submission is a single poem that is longer than 10 pages). Notification of acceptance will take place within 1 month of the closing of a reading period.
One submission per reading period. If your work is accepted into an issue, please let one issue go by before you submit again. In other words, we will publish your work a maximum of twice a year in an effort to keep the voices fresh. No simultaneous submissions.
Essay topics: poetic criticism, history, theory, a specific poet or poem. Essays should be original and previously unpublished in North America. Length may be up to 5000 words.
Translations, both poems & essays, will be considered. Required: permission of the original poet is required along with a copy of the poem in its original language (assumes poet is living and/or copyrights are still in force). We intend to publish both the original poem and the translation if space permits.
Will be invited by the editorial staff for each issue.
1-3 Digital images should be saved as JPG (JPEG), at a resolution of 300 dpi. (make sure you set your email to attach the “actual” image instead of allowing the email program to reduce the image size.) Set images to CYMK. If the image is selected for showing in the interior of the issue, it will be converted to greyscale. Remember that vertical images are easier for us to work with over horizontal images.
HOW / WHERE:
Electronic submissions preferred. Please send your poems in the body of an email. Due to the risk of viruses, we will discard, without reading, any poetry or essay submission emails with attachments. If your poems have unusual formatting, note it, and we will ask for an file attachment (such as a pdf, doc, rtf file), if the poem is accepted. In the subject line of the email, please place the words POETRY or ESSAY, a dash, then your name. Example: poetry – JQ Public.
If you do not have access to email, please send hard copy to: Malpaís Review, POB 339, Placitas, NM 87043. Include an SAS Envelope or Postcard for response. Submissions without SAS Envelope or Postcard will be discarded without reading them. Submit ARTWORK in a separate email from poems or essays. Artwork may only be submitted via email.
Include a short, third-person biography with the submission.
Malpaís Review seeks first North American Rights of your work to appear in our hardcopy publication and reserves the right to use your work in a future “best of issue.” Rights revert to author upon publication.